There’s an unspoken tenant of the maker movement that demands: calls for bespoke engineering work from friends should always be answered. Maker projects for friends pay dividends in net-happiness injected into the world.
My ‘ol pal Ben (A.K.A Bensbeendead.) knows this kind of work is a favorite of mine. So when he asked, of course I jumped at the opportunity to design and manufacture some “elbows” that mount his laptop and controller atop RGB stage lighting.
In the years since the GANce days, Rosewill’s massive 4U chassis, RSV-L4000U has housed my daily-driver virtualization host. The guts of the build are almost identical to the original spec, but it has come time to move into a smaller case. CX4200A from Sliger won out because of a few factors.
The main one is that, following some flooding in my city, someone discarded a Hoffman EWMW482425 26U short-depth rack with a flawless glass door and an MSRP over over $1000:
Under the cover of darkness, a co-conspirator and I were able to heist the rack from its resting place back to mine.
Judging by the bits left in inside, it looks to have served as a housing for telecom gear. Much of the rackable gear I’ve come into over the years is similarly short-depth with one exception, the Rosewill.
The 25″ of depth is way too much for the rack. It was great for being able to work on tesla cooler, plenty of room for weird coolers and hard drives. The weight, the physical mass of the thing is also just too much. I’ve moved apartments twice since acquiring the Rosewill and have dreaded moving it both times. These aren’t RSV-L4000U’s fault, these are features for the majority of users. Just not for me right now.
Enter the Sliger CX4200A and a few modifications to make it perfect for my needs:
This post first appeared on Patreon.
There’s a triple-point energy to working on something out at the edge of your abilities. Enumerated alongside the possibilities for failure are visions of the finished piece, installed and gloriously humming along, that make the long nights ahead less intimidating.
In late October of 2018, I began the CAD for such a project. Telapush had just closed our largest deal to date. We were to contracted to build a massive illuminated sign that would map social media interactions to custom animations to be displayed in real time. The piece was to run, un-attended for the entire month of December in the Center Court of the Prudential Center mall, inside of Boston’s most distinctive skyscraper.
Erin and I had been pouring effort into Telapush for some time, and this installation was to be the largest tangible result from that effort. Serious people spending real money and expecting actual results. Boston was my new home and I felt that this project was my chance to make a good first impression to this new and intimidating place. This heightened importance, paired with the reverence for the challenge, coaxed out some good engineering; the project was a rousing success. More details about this installation can be found in my portfolio entry on the project.
Luckily, one element of the installation that I was able to retain possession of after the installation concluded was the LED matrix. An overwhelming array of 1215 addressable LEDs, and a 100W power supply to drive them.
Still brimming with usefulness, and valuable as a totem commemorating the successful project, the light bar was filed into storage. Unfortunately, I lacked the bandwidth and inspiration to pick it back up. In the past few months however, on quiet nights, I could hear it calling out to me from the crawlspace, pleading to be reanimated. And after a few years of rest, this post describes how this favorite project is given a new lease on life to enhance my 3D printing workflow.
The first revision of this project was shipped in November of 2020, but the subsequent redesign was commissioned and completed the following summer in 2021. This post primarily a journey through that second revision, and it’s publication comes some time after the deliverable was shipped to the client.
Engineering requirements that arrive downstream from artistic intent are my favorite constraints to work inside of. It forces the engineer to assume the role of the artist, considering the feelings and ideas that will be communicated to the audience with the piece. The engineer also has to become an audience member to understand other factors about how viewing will take place, if the environment will change such that the piece needs to respond in kind. The space in between these to roles needs to be projected into the standard space of product requirements, weights, tolerances, latencies etc. that are common in the profession.
As a part of my freelance practice, interdisciplinary artist Sara Dittrich and I recently collaborated on a series of projects, adding to our shared body of work. The most technically challenging part of these most recent works was a component of her piece called The Tender Interval. I urge you to go read her documentation on this project, there is a great video overview as well.
Two performers sit at a table across from each other, above them is an IV stand with two containers full of water. Embedded in the table are two fingerprint sensors, one for each of the people seated at the table. Performers place their hands on the table, with their index fingers covering the sensors. Each time their heart beats, their container emits a single drop of water, which falls from above them into a glass placed next to them on the table. Once their glass fills, they drink the water. Optionally, virtual viewers on twitch can take the place of the second performer by sending commands on twitch that deposit water droplets into the second glass.
The device responsible for creating the water droplets (the dripper) ended up being a very technically demanding object to create. The preeminent cause of this difficulty was the requirement that it operate in complete silence. Since the first showings of this piece were done virtually due to the pandemic, we were able to punt this problem and get the around noisy operating levels of V1 using strategic microphone placement. However, this piece would eventually be shown in a gallery setting, which would require totally silent operation.
The following is a feature overview and demonstration of the completed silent dripper:
If you’re interested in building one of these to add to your own projects, there is a github organization that contains the:
Per usual, please send along photos of rebuilds of this project. Submit PRs if you have improvements, or open issues if your run into problems along the way.
The rest of this post will be a deep dive into earlier iterations of this project, and an closer look at the design details and challenges of the final design. It’s easier to understand why a second iteration was needed after reviewing the shortcomings of version 1, so that’s where we’ll start.
The “forthcoming” project mentioned throughout this post has been released! Check it out here.
Here’s a (long winded) video overview of this project:
Rendered desperate for VRAM by a forthcoming stylegan-related project, I recently had to wade thermistor first into the concernedly hot and strange world of GPUs without video outputs to design a high performance cooler for the NVIDIA Tesla K80.
Too esoteric to game on, and too power hungry to mine cryptocurrencies with, the K80 (allegedly the ‘The World’s Most Popular GPU’) can be had for under $250 USD on ebay, a far cry from it’s imperial MSRP of $5000. By my math, the card is one of the most cost-efficient ways to avail one’s self of video ram by the dozen of gigabytes.
This sounds great on paper, but actually getting one of these configured to do useful work is a kind of a project in, and of itself. I’ll eventually get to this in the aforementioned upcoming post. Today’s topic however, is upstream of all that: the task of keeping these things cool.
There have been a few posts on this blog about the functional benefits of using printed parts to join existing objects in a reliable and precise way. Most of the time my printed parts themselves look strange. The goals are usually printability and a clean assembly of printed and non-printed. As an attempt to buck this trend, I recently designed and manufactured a desktop organizer that showcases the medium’s ability to bond objects and also look great.
Looking for a wall mounted version of the HMD mount? Check out this remix on thingiverse (thanks Sean)!
Here’s a video going over the design:
The printed parts can all be found on thingiverse here. Please let me know if you use any of these! I’d love to talk about potential improvements that could be made.
Here’s a video:
Here are some images:
This is a quick design I came up with rather than spend the $20 on amazon. You can get the STL files on thingiverse here.
This project got featured on the official arduino blog as well as hackaday! Thanks to everyone that shared!
I work with addressable LEDs a lot. For all that they’re great for, they’re kind of hard to debug when you have a lot of them connected up at once. This is especially apparent when you have many small single modules in hard to reach spaces.
Here’s my solution:
This lets me set the color and number of LEDs in a strip, and then displays a color pattern. This way I can tell if an LED has become disconnected in a strip, or if a channel inside a particular has died.
HSV (x, 255, 255) and x loops from 0-255RGB(255, 255, 255)All of the raw code solidworks, and KiCAD have been posted on my github. You can look at the 3D models on thingiverse as well.
Here are a couple of quick renders of the assembly design:
The screw mount behind the pushbuttons is extended to be able to support the pressure without flexing:
I added a ridge so you can grab onto something as you interact with the switches / buttons.
Here’s the circuit:
There really isn’t a lot going on here, the parts are probably the coolest part of the project. The 5V jack is a 6mm DC barrel jack, the pushbuttons are illuminated 16mm pushbuttons from adafruit, the on/off switch is a locking toggle switch, and the 4 position rotary switch can be found here.
I wired up the circuit on a spare piece of perfboard.
My code is available on my github.
The LED driving part of the code is based on FastLED, a beautiful library for driving these types of addressable LEDs.
The rest of the code is mostly just a hardware UI problem, and isn’t all that interesting. LED count “ramps” as you hold the button down. The longer you hold the button, the faster the
That’s pretty much it! I’ve already gotten some use out of this tool and have found great satisfaction in taking the time to make it look nice as it will be a permanent addition to my lab.
I’ll post any updates I make to this project as edits to the top of this post.
Thanks for reading, and here are a few more photos:
It’s well known that nylon based 3D printer filaments need to be dried out before they’re used. What happens though when you have a 30+ hour print? The spool can take on a lot of moisture in that amount of time and compromise the print.
Many people have solved this problem by making filament dryboxes, somewhat airtight containers that contain a desiccant to dry out the air inside of the chamber.
I have to print several large parts from nylon for client, and I was having trouble in the last hours of the print due to the spool taking on water from the air. I decided to build one of these chambers but with a twist:
Mine is wall mounted! Space in my lab is a premium and the walls are free real estate.
The parts for this build is are available on my Thingiverse page. Oh and if you’re curious, I’m using a wall-outlet-rechargeable desiccant pack from Amazon which I got for $15.
The bolts are M3x10mm, and the nuts are M3 nuts, both from McMaster Carr.
Thanks for reading!